Saturday, December 17, 2011

Chris Dyer's Book Launch

My friend, and fellow artist, Chris Dyer, just had his book launch party tonight. This is his first coffee table art book of epic proportions covering his entire artistic career.

Best known for recycling broken skateboards into visionary art, Chris's career has had him globe trotting the world's art galleries.


From making logos, to painting or drawing fine art on canvas, and rubbing elbows with well known contemporary artists such as Alex Grey at the Alchemeyez Festival.

It was a fun night with a good turn out. The book is gorgious, impressive & high quality, as is the rest of his merchandise.
You can check out Chris's work and buy his book from Positive Creations, his main website.

Friday, December 16, 2011

Organic Can Feed the World

Organic Can Feed the World
Given that current production systems leave nearly one billion people undernourished, the onus should be on the agribusiness industry to prove its model, not the other way around
BEOrganic-Post.jpg
"We all have things that drive us crazy," wrote Steve Kopperud in a blog post this fall for Brownfield, an organization that disseminates agricultural news online and through radio broadcasts. Kopperud, who is a lobbyist for agribusiness interests in Washington, D.C., then got downright personal: "Firmly ensconced at the top of my list are people who consider themselves experts on an issue when judging by what they say and do, they're sitting high in an ivory tower somewhere contemplating only the 'wouldn't-it-be-nice' aspects."
At the top of that heap, Kopperud put Michael Pollan and Marion Nestle, a contributor to Atlantic Life and the author of Food Politics, the title of both her most well-known book and her daily blog.
"There's a huge chunk of reality missing from Dr. Nestle's academic approach to life," Kopperud wrote. "The missing bit is, quite simply, the answer to the following question: How do you feed seven billion people today and nine billion by 2040 through organic, natural, and local food production?" He then answers his own question. "You can't."
What is notably lacking in the "conventional" versus organic debate are studies backing up the claim that organic can't feed the world's growing population.
As a journalist who takes issues surrounding food production seriously, I too have things that drive me crazy.
At the top of my list are agribusiness advocates such as Kopperud (and, more recently, Steve Sexton of Freakonomics) who dismiss well-thought-out concerns about today's dysfunctional food production system with the old saw that organic farming can't save the world. They persist in repeating this as an irrefutable fact, even as one scientific study after another concludes the exact opposite: not only that organic can indeed feed nine billion human beings but that it is the only hope we have of doing so.
"There isn't enough land to feed the nine billion people" is one tired argument that gets trotted out by the anti-organic crowd, including Kopperud. That assertion ignores a 2007 study led by Ivette Perfecto, of the University of Michigan, showing that in developing countries, where the chances of famine are greatest, organic methods could double or triple crop yields.
"My hope is that we can finally put a nail in the coffin of the idea that you can't produce enough food through organic agriculture," Perfecto told Science Daily at the time.
Too bad solid, scientific research hasn't been enough to drive that nail home. A 2010 United Nations study (PDF) concluded that organic and other sustainable farming methods that come under the umbrella of what the study's authors called "agroecology" would be necessary to feed the future world. Two years earlier, a U.N. examination (PDF) of farming in 24 African countries found that organic or near-organic farming resulted in yield increases of more than 100 percent. Another U.N.-supported report entitled "Agriculture at a Crossroads" (PDF), compiled by 400 international experts, said that the way the world grows food will have to change radically to meet future demand. It called for governments to pay more attention to small-scale farmers and sustainable practices -- shooting down the bigger-is-inevitably-better notion that huge factory farms and their efficiencies of scale are necessary to feed the world.
Suspicious of the political motives of the U.N.? Well, there's a study that came out in 2010 from the all-American National Research Council. Written by professors from seven universities, including the University of California, Iowa State University, and the University of Maryland, the report finds that organic farming, grass-fed livestock husbandry, and the production of meat and crops on the same farm will be needed to sustain food production in this country.
The Pennsylvania-based Rodale Institute is an unequivocal supporter of all things organic. But that's no reason to dismiss its 2008 report "The Organic Green Revolution" (PDF), which provides a concise argument for why a return to organic principles is necessary to stave off world hunger, and which backs the assertion with citations of more than 50 scientific studies.
Rodale concludes that farming must move away from using unsustainable, increasingly unaffordable, petroleum-based fertilizers and pesticides and turn to "organic, regenerative farming systems that sustain and improve the health of the world population, our soil, and our environment." The science the report so amply cites shows that such a system would
  • give competitive yields to "conventional" methods
  • improve soil and boost its capacity to hold water, particularly important during droughts
  • save farmers money on pesticides and fertilizers
  • save energy because organic production requires 20 to 50 percent less input
  • mitigate global warming because cover crops and compost can sequester close to 40 percent of global CO2 emissions
  • increase food nutrient density
What is notably lacking in the "conventional" versus organic debate are studies backing up the claim that organic can't feed the world's growing population. In an exhaustive review using Google and several academic search engines of all the scientific literature published between 1999 and 2007 addressing the question of whether or not organic agriculture could feed the world, the British Soil Association, which supports and certifies organic farms, found (PDF) that there had been 98 papers published in the previous eight years addressing the question of whether organic could feed the world. Every one of the papers showed that organic farming had that potential. Not one argued otherwise.
The most troubling part of Kopperud's post is where he says that he finds the food movement of which Pollan and Nestle are respected leaders "almost dangerous." He's wrong. The real danger is when an untruth is repeated so often that people accept it as fact.
Given that the current food production system, which is really a 75-year-old experiment, leaves nearly one billion of the world's seven billion humans seriously undernourished today, the onus should be on the advocates of agribusiness to prove their model can feed a future population of nine billion -- not the other way around.

Tuesday, December 13, 2011

Cross-curricular resources: Winter solstice

Published in TES magazine on 9 December, 2011 | By: Ronald Hutton

Modern Britain has a great deal to learn from the centuries-old traditions of the winter solstice, says Professor Ronald Hutton
  • Winter solstice, 22 December
In parts of the world where the seasons change dramatically between summer and winter, the solstices (the longest and shortest days of the year) have been celebrated for centuries. And the most intense of these festivities has always been midwinter. There are both symbolic and practical reasons for this. The lengthening of the light after the greatest darkness represents a time of rebirth and renewal. And, on a more practical level, there was traditionally less work to be done, whether it was farming the land, trading with neighbours or fighting some foreign war.

Certainly, Europeans have always marked the winter solstice, and their ancient names for it - Saturnalia (Roman), Modranicht (Anglo-Saxon) and Yule (Scandinavian) - are known wherever pre-Christian cultures were recorded.

For Christians, it is best known as the Feast of the Nativity or Christmas, which has been held at midwinter ever since the fourth century and is the most intensively celebrated festival of the year, with more rites and customs than any other. All this makes it of great importance to a historian. But what relevance does an understanding of the winter solstice have for students in more general education?
The answer is firmly bound up with the phenomenon of globalisation. First, it acknowledges the current supremacy of Western - above all American - culture in the world, which has made the Christmas holiday the most commonly recognised and observed around the planet. Second, it is important to recognise that developed nations are increasingly multicultural entities. This is especially true of Britain where, more and more, we seek common needs and qualities to unite a society in which many groups either have never been Christian or have ceased to be so.
Fortunately, our own history furnishes us with four of these commonalities - all rooted in the nature of the season itself.

The first is the need to keep ourselves cheerful at the time when natural light is at its most scarce and there is a general lack of warmth, food, flowers, greenery or easy travel. So it is not surprising that feasting lies at the centre of all traditional accounts of the festival; a great meal at which family, household, court or band could fill their bellies and make merry together. The modern Christmas dinner is our expression of this in brightly lit, snugly heated homes. (The Yule log and large Christmas candles are two further representations.)

If light and warmth were defiantly reasserted, then so too was greenery, as homes and holy places were decorated with whatever survived: for a long time just holly and ivy. Then the Germans took up the custom of the Christmas tree in the 17th century and gave it to the British in the 19th. In between came the mistletoe bough - and the tradition of kissing beneath it - which brightened up the dark nights of 18th-century London.

A second enduring feature is the making of fresh plans and resolutions in preparation for the return of warmth and activity, as the winter solstice represents the traditional New Year for most Europeans.
Many customs were devoted to blessing the home: Scottish Highlanders took burning juniper around it, while in southern Scotland and northern England the first person to call after the arrival of the New Year brought good fortune. In southern Britain, people would sing to each other - and even to their beasts, fields and orchards, known as wassailing - to woo good luck. The greatest act of well-wishing, however, was to give gifts at the New Year, a custom recorded since pagan Roman times and surviving in our modern-day Christmas presents.

The third characteristic of midwinter is charity, based on the humane impulse to assist those who not could afford to make merry (and coupled with the more practical reality that the poor might slit their wealthier neighbours’ throats unless their resentments were tempered). Collecting and giving to the poor was known in variant local English terms as Thomasing, Gooding, Mumping, Hoggling or Hognelling. Able-bodied working men could earn the food and money for their household feasts by performing songs, dances or plays to please the better off - such as the Mummers’ Play, Sword Dances and, of course, carols.

The final trait of the festival was Misrule - recognising that this was a season when mud, darkness and storms threatened even the best-sheltered communities. Misrule reversed the usual order of society: in ancient Rome masters served slaves; in medieval cathedrals Boy Bishops presided; Lords of Misrule lorded it over wealthy Tudor and Stuart households; and schoolboys were allowed to “bar out” their teachers from classrooms. Today, party games, paper hats and pantomimes preserve this atmosphere, but a less hierarchical society has largely discarded the need for Misrule.

The winter solstice has provided us with a cluster of imperatives and associations that create symbols and activities to unite speakers of all the 130 languages now used in Britain. As educationalists we need to understand, and celebrate, the solstice - and share it with our student audience.
Ronald Hutton is professor of history at Bristol University and the author of 14 books, including “The Stations of the Sun: a history of the ritual year in Britain”

Friday, December 9, 2011

Sunday, Tuesday, Thursday

 Handmade Blank Books

I meant to write about this as things were occurring, but alas, time did it's time thing, I was tired and couldn't think of any words to combine in order to say something interesting to you. Finally I am in the mood to do a bit of writing before I turn in for bed.

Sunday
Yuletide Arts & Craft Fair which was hosted by the MPRC at Melange Magique was fun and went by fast on Sunday. The workshops seemed like they were full, and the participants were cheery. I ended up doing quite a bit of henna, including a few barters with some of the other vendors. I am now the happy owner of another pair of feather earrings, and a pair of garnet & silver hoop earrings made by Willow Dream.

Elissa Baltzer
My friend, local artist & Maritimer, Elissa Baltzer was my neighbor. Her work is gorgeous, inspired by nature and the old tales of faeries and other wee folk. My other neighbor was a baker, while I couldn't eat (gluten intolerance) the lovely looking treats (they sure did beckon to me), they must have been tasty because she had a lot of visitors (including repeats).
Miniature Paintings

Tuesday
I am a member of the Montreal Board of Trade (part of the Chamber of Commerce), on Tuesday I attended the monthly business networking cocktail, which was being hosted by Gallery MX. When I walked into the gallery, I was immediately struck by both the trendiness and the warmness of the space. I normally don't like trendy places, but this gallery has a very welcoming feeling.

Yuletide Arts & Craft Fair: The Art of April-Anna
 The architecture is very unique for what I am used to with galleries and the work is diverse. There was alot of beautiful work there by many talented artists, ten of the artists were present at the apero, I am told. I met one of the artists, Michel T. Desroches, who does beautiful portraits that blend from a sense of realism out into an abstract world of subtle colours and chaotic lines that seem to almost be moving. The current group exhibit is really worth seeing, as well as, for any art buyers out there, you would be hard pressed to decide which painting or sculpture you'd want.

Thursday
Tonight I went to a Christmas Reception at the University Club which was for the Montreal Irish Chamber of Commerce (I am also a member there). They were celebrating their 20th year as a chamber, and the guest of honour was Dr. Ray Bassett, Ambassador of Ireland to Canada. I had brought along my new semi-professional camera to take photos of the night, but then after two photos the battery died (I was very frustrated), clearly I am not used to this camera. Needless to say I intend to buy a 2nd battery. 


Paul Loftus, President of the Montreal Irish Chamber of Commerce
It was a fun night in a very upscale place with an open bar (the Guiness didn't flow like water, but certainly was popular, they couldn't keep it cold!) and lots of tasty appetizers (though I must say that Gallery MX had much better food). I very much enjoyed watching the young competitive Irish dancers perform.


Thursday, December 8, 2011

Work in Progress

This is what I am working on in my studio right now, more layers to come! I plan to add a few flowers and dragonflies, not sure what else...

Wednesday, December 7, 2011

The Sun, Moon and Stars: Mural at Le Melange Magique

This mural, including the ceiling, took approx. 57 hours to paint.
Back in June I was hired to do a mural at Le Melange Magique on St.Catherine Street West. I made and posted a video blog at that time, but only recently got a chance to take better quality photos (thanks to my new semi-professional camera). Take a look!



For those who wish to see the mural in person, it is inside the reading room at the store. If you ask the staff they'll direct you where to go in order to see it.

Saturday, December 3, 2011

Yuletide Arts & Craft Fair

Yuletide Arts Craft Fair, Saturday, December 3rd & 4th, 2011
Gorgeous painting by Elissa Baltzer. Photography by The Art of April-Anna

Oh my lord, you wouldn't believe how tired I am. I am so tired that it's practically psychedelic. I couldn't sleep last night, I was still excited from having been at the concert, probably adrenalin. It was after 5am when I fell asleep, and I had to be up by 9:30am. I was late arriving to the arts & craft fair to set up, but luckily it was quiet. Well, let's just say some people found this predictable. What can I say, I am not a morning person.

I love this wreath, especially with the little horns. Photography by The Art of April-Anna.
Traffic was quiet today, some people commented that they think the promotions for this year's event weren't as good as last year. I have my hopes that tomorrow will be busier, hopefully alot busier. There are workshops happening at the same time, but I am honestly not sure what subjects, other then that it ties into spirituality or psychic development.


Lovely, talented lady who makes candles; Creations Jazzy Blues Creations

All of the work of the vendors was very impressive, diverse & talented. There was everything from candle making, knitting, canned goods, paintings, jewellery, and book authors. The camaraderie between people was lovely, and vendors were entertaining themselves by bartering with one another. I traded two posters for garnet hoop earrings.
Paintings on the right hand side are prints with hand painted layers, original photographs by Christopher Capicollo of the body painting I did at Trois Rivierre Body Painting Competition.

I had the henna out with me today but was too tired to actually offer it. However, anyone wanting henna tomorrow, I will definitely be prepared. I also newly released my miniature paintings which are for either displaying on a wall, hanging in a window, or it can even be used as a fancy bookmark. If you are looking for a gift that is lightweight and easy to mail, this would defiantly be it.

The Tea Party Concert, and a Pagan Arts & Crafts Fair

Photography by Melanie Pilon
YuleTide Arts & Craft Fair
Saturday & Sunday, December 3rd & 4th, Melange Magique; 1928 Ste. Catherine West Montreal. I will be selling greeting cards, posters, my self-published coffee table art book, miniature paintings, canvas prints and original paintings. I can't bring everything down; if you are shopping for a specific painting, please don't hesitate to make a special request. Your wish is my command!

The Tea Party
Tonight I was very excited to attend The Tea Party concert here in Montreal. They are one of my favourite musical acts, I have been listening to them for 20 years. In the past 13 years I have seen them in concert approx. 10 times (mostly in BC). So, if you could see my facial expressions, you'd see my wry amusement when I read my friend's facebook note to me, teasing me, accusing me of being a "tea head" (ouch).

I took alot of "ghetto" film footage & photos, I'll be making a video-blog soon and be posting it up here. I have to say that all Tea Party concerts are good, they are very good showmen. But obviously some concerts are better then others, some of that is personal tastes. My favourite tour they did was with the symphony orchestra back in 2003 (I think that's the year).

I appreciated that in the middle of the concert, Jeff Martin spoke to the audience about the need for the upcoming acoustic songs, "...if you have ears like I do, your ears are ringing very loudly right now....", and the request for the audience to be silent during them. I greatly appreciated this, I have a long term history with hearing challenges, and the last concert I attended this past July, my ears were ringing so badly that I was yelling over top of the ringing and could hear almost nothing that anyone said to me. Needless to say I made myself quite a nuisance to those around me (I was hyper too). I learned my lesson, wear earplugs.

It is interesting to see the progression of Stuart Chatwood, Jeff Martin & Jeff Burrows as artists, the different phases they have musically been through, as well as the energy they bring to each concert. Jeff Martin said tonight, "...we took a 6 year holiday...". I definitely think that the time apart has been good for them, they seem to be finding their musical muse once again. They & the music seem more alive.

Thursday, November 24, 2011

VLOG: Speakeasy Electro Swing Party with Vaudevill Acts: Fire Pheonix (Part 1)



Speakeasy Electro Swing Party, organized by DJ Eliazar, Megan & Khalil. Vaudeville Acts inlcuded Fire Pheonix, Jamye La Luna, Belly Dancing by Keera Sama and more. This video blog is part 1, focused on Fire Pheonix. Body Painting by The Art of April-Anna.

Friday, November 18, 2011

New Illustration!


I just completed this dragonfly illustration in pencil, pen & ink with some pointalism. I will probably use this drawing later on in a painting on canvas, possibly also may do some body painting based on it later on.

Tuesday, November 8, 2011

Vlog: Wedding Shoot: Behind the Scenes: Di Carlo Couture Fashion



Music by Mushroom Lounge Recordings.

04/03/2011 Video Journal for The Art of April-Anna, make-up artist for this photoshoot. Official photographer; Andrei Kalamkarov, assistant photographer; Lili Labelle, amateur photographer, April-Anna.

Di Carlo Couture is by Antoinette Di Carlo, her website is: http://www.dicarlocouture.com

Andrei Kalamkarov:
http://www.beautifulshot.com

The Art of April-Anna
http://theartofapril-anna.blogspot.com
www.aprilanna.com

Sunday, November 6, 2011

Vlog 52nd Annual Gem & Mineral Show Montreal

52nd ANNUAL GEM & MINERAL SHOW

Beautiful sunny autumn afternoon, I got some gorgeous shots of my neighborhood. I love that Montreal no longer uses pesticides, beautiful to see nature being allowed to be natural.
The 52nd annual Gem & Mineral Show finishes this Sunday, at Place Bonaventure. I went today with my fiancee, I have only been once before, which I think was in 2008, but at that time it was at the hippodrome. I am really happy to say that Place Bonaventure is only a ten minute walk from our home. Last time, I had to walk for 20 minutes in a blizzard (same time of the year), thank-fully ol'Jack-Frost is still hiding somewhere in the North Pole!
I fantasize about one day being able to buy something really large and not very practical from the rock & gem show. My fiancee thinks I am nuts, I admit, going to the show affects me like a fevor. Or like one would expect of the tales of how people reacted when they discovered the rivers of North America had gold littered in them like rocks. For me though it's an incredible visual stimulus of texture, colour, light and shadow. While I may not paint these specific things, it very much inspires me in my art. 
This piece of petrified wood was huge and incredible. It reminds me that there is a forest of petrified trees which I believe is located in the states. I would love to go walk through that forest. Can you imagine? Everything turned to crystal & stone. I am in awe of what mother nature produces, it blows my mind to think about how crystals grow, creatures & plants fossolize, and can take thousands or millions of years to come to be as we see it today.

Les Exclusivites Annie

My step-dad calls the following stone a "thunder egg", I guess it's what the local indigenous people call them. I remember being out in the woods with him swimming in a pool in the river and him pointing out to me these round, oval stones and explaining that if we were to carefully crack one open, it would be full of crystals. I was maybe 10 or 11, so this was pretty magical to me at the time (especially considering I was voraciously reading books about magical adventures that involved dragons, faerie and crossing dimensions).

Friday, November 4, 2011

Contest! Vaudeville Speakeasy Electro Swing 11-11-11

Contest! Be the 7th person to email me, and you'll win 2 guest spots for the Vaudeville themed Speakeasy Electro Swing Club party that is on Nov 11th at Sala Rosa, Montreal. To enter, just email me with the title "Vaudeville Contest" and tell me why you love vaudeville! The 7th email I receive wins! aprilanna@aprilanna.com

Vaudeville Speakeasy Electro Swing 11-11-11
The Art of April-Anna is going to be doing a live demonstration of full body painting on two performers who will perform on stage that evening; Keera Sama, belly dancer, and Pheonix, who will be doing a juggling act with knives that night.

Speakeasy Electroswing, Montreal

Friday 11 November à la Sala Rossa
22h-3h - 8 $ à la porte
Introduction gratuite à la danse swing par Studio 88 Swing à partir de 22h jusqu'à 23h.
Résidents DJs : Eliazar, Don Mescal, and Khalil
Visuals by VJ BXL
Vaudeville theme with dancers, circus, and performances ...
Live Body Painting by The Art of April-Anna
Partner Camuz
Free mix CD of electro swing for the 50 first visitors
DRESS CODE: Swing Style like the 30's

Welcome to the retro-future. As our economy revisits the depression era, it is time for our culture to revel in the glory of those days. It is time to get snazzed up, and get down to the sounds of Electro Swing that have been taking over the UK and the rest of Europe in the last few years. We are bringing you the first monthly event to focus on these sounds of now on this continent where the music began. As we scour the crates of dusty old record stores and remake these songs into club tunes of today, updating the swing sounds with electro, hip hop, house, bass, and dub. The sounds have been spreading through the Electro Swing compilations on Wagram music out of France, and the White Mink/Black Cotton albums from the UK in the past few years. With Electro Swing coming to every major festival in the EU this summer, we know it will only take a moment for folks on this side of the sea to find out why we are all working up a sweat about the sound.

With packed monthlies in London, Berlin, Torino, Paris, Antwerp and beyond, we will be bringing you both the sounds of tradition, and the sound of the future.

Speakeasy Electro-Swing Montreal show in Montreal at Sala Rossa promises to be treat with our DJ's Eliazar, Don Mescal, and Khalil. The visual entertainment with be on the silent movie theme by our own VJ BXL.

This month we have a Vaudeville theme with dancers, body painting, and performances to razzle and dazzle you throughout the night.

To start off the night, we will be having free swing dance lessons brought to you by the Studio 88-SWING from 10-11pm with the electro swing grooves warming you up.

There will be a contest for the best dressed lady and gent at the event , the prize being a pass to every Electro Swing event for the year.

This round is only $8 for all the fun and entertainment of the evening... with a free mix cd of electro swing goodness free for the first 50 visitors to our soiree. Come dressed in swing style to keep the groove alive, and part like it is 1929.....

---------------------------------------------------------

Bienvenue dans le monde de L’Électro Swing

Alors que notre économie paraît replonger dans le même marasme que celui des années 30, pourquoi ne pas plutôt se souvenir de la folie de cette période et oublier notre quotidien.

Il est temps pour vous de découvrir le son unique de l’Électro swing qui à embrasé les foules à travers toute l’Europe depuis les deux dernières années.

Ce style musical s’est répandu à travers les compilations de Wagram en France et celle de White mink/Black cotton au Royaume-Uni.

Alors que l’Électro swing est à l’honneur dans plusieurs festivals et club européens, (Londres, Paris, Zurich,Turin, Berlin) ce n’est qu’une question de temps avant que la vague nu-swing déferle sur l’Amérique du Nord.

Soyez parmi les premiers à surfer sur cette vague et joignez-vous au rendez-vous mensuel que nous vous proposons.

Une soirée Électro swing vous transporte dans une ambiance de bar clandestin de la prohibition avec costumes et accessoires sur un fond sonore mixant le swing, le hiphop, la house, le breakbeat et la drum and bass.

L’Électro Swing Club Montréal se déroulera à la Sala Rossa le samedi 16 Juillet avec les residents Dj Eliazar, Don Mescal et Khalil et les visuel de de VJ BXL
Partenaire : Camuz

Behind the Scenes: Wedding Fashion Shoot

Thursday, November 3, 2011

Behind the Scenes: Fashion Shoot Last March

My footage & photos had disapeared from my computer (I have no idea what happened) for most of the past year since March. Although, as things went, I never had time to make a video journal (some call it a vlog) until recently. I made a behind the scenes of the fashion shoot I did the make-up for Di Carlo Couture: made to measure dresses. Take a look:

Wednesday, November 2, 2011

Recipe for Love

"Recipe for Love" Film Set
I just finished watching Recipe For Love, a beautiful & attractive film creation of writer, director & producer, Chauncey Wales. "Recipe for Love" is showing in Montreal on November 5th at the Image+nation film festival this coming weekend. To quote Image+nation's website: "The way to the girl of your dream’s heart is always through the palate.". Starring Coriander Stasi, & Fernanda Jimena; I didn't know anything about the film before hand. I enjoy not knowing, because of the adventure of the experience with no preconceived notions.
Make-up Artist Anna Vida working on actress Fernanda, "Chance".

Being an artist, I really enjoy the abstract display of colours, textures, and movement of the background behind the opening credits. The music is pretty, the film is high quality and there seems to be a Latin-American influence. It's sexy. I love the introduction, setting the stage with the market place, the use of the Portuguese language. Despite not understanding what is being said, it gives depth to the way characters are being introduced. Unfortunately the subtitles are sometimes difficult to read, sometimes going by too fast. What I do enjoy about the subtitles is that I can see an effort has been made to make them gel with the over all artistic presentation of the film.
Characters, Chance and Juliet first noticing their mutual attraction to one another.
 I like the attention to the minutiae, her dancing feet, the passion of food selection & preparation, the scent of olive oil, taking in every detail. The acting is very good quality, the characters are easy to believe in, and get drawn into the world that is being created. Party way through watching the movie, my fiancee walked in the door over hearing parts of the film. At first he commented the script was a bit artificial, but then he stayed, and after a few scenes he spoke up, saying that he was changing his mind about his original statement. He elaborated that the acting just needed more context. The more he watched, the more the story hooked him in.
Dinner scene, where Juliet is initiating a big thank-you to Chance for her amazing cooking skills.
 The characters, Juliet and Chance, meet because of a cleaning contract, but there is a clear attraction between the two women, despite the fact that they are supposed to be employer and employee. Juliet has just gotten out of a heterosexual relationship, but it's unclear if she is bi-curious or actually bi-sexual. I personally think this is good since it allows a larger audience to potentially appreciate the film. Chance turns out to be a genius with cooking, and so Juliet hires her to cater an important family dinner. Needless to say, a late night leads the women into other adventures. I don't want to give away too much of the story, so I'll hold my tongue on saying more.
Chance's artistic dinner presentation.

I didn't realize it was going to be a short film, it has the feeling of a feature film. With the pace the story was taking, I was expecting a much longer story. When the film reached the end, I was taken off guard, it seemed like an abrupt ending. Despite the sudden conclusion of the film, I like the ending itself. Beautiful & thought provoking sentiments. I did find myself reflecting on my own life experiences in order to relate to the film, and the message. Just a reminder of how sometimes the little moments in life can be so transformative, sometimes changing the entire direction of your life.

Tuesday, November 1, 2011

Video blog Halloween 2011

Video journal for Hallowe'en, Samhain, 2011. I went as Mictecacihuatl, the Aztec Goddess of the underworld. Montreal, QC, Canada. I show the different stages of the make-up in this video from beginning to finished product.


Mictecacihuatl

I had two clients flake out tonight; I was really miffed and antsy as a result. My fingers were itching to get creative. I tried to convince my fiancee to let me paint him as a dragon (I have horns for him too), but he wasn't going for it. I sulked for a while, but eventually got over it by painting myself as Mictecacihuatl. Of Aztec origin, she is the Queen of Mictlan, the underworld & afterlife. Traditionally she is represented with a defleshed body and jaw agape to swallow the stars during the day.

It took me 2.5 hours to paint myself, then another 1/2 to decide what I was wearing; waste cincher or corset? If I go with the corset, which corset? The so called "Harley Davidson" (Ziggy's midnight shopping on Ebay) corset, or the really pretty but unauthentic red one? After 15 minutes I decide I am not in the mood for wearing a corset, and settle on the waste cincher. Flowers, vines, feathers, a shawl and a black cloak later, I was ready to leave the house. Unfortunately there were no interesting events happening tonight, so being the eccentric artist I am, Ziggy and I went for dinner at Oyster Shack.

To end my night, I went for a bike ride up to the mile-end to visit my good friend, Jamie Brock of Advika Clothing. We talked, giggled, watched some short shows, did a 2am photoshoot, then I headed home. Bike riding there and back was lovely, very pretty, I love Montreal's old architecture, the colour of the amber street lights combined with slowly changing leafy trees, coasting through Mount Royal Park, it was a lovely end to a very good evening. It was also especially fun seeing people's reactions to me riding along in a black cloak done up the way I was!